Episode 3 - 12: The One With All The Jealousy
[Scene: Monica and Rachel's,
Rachel is getting ready for her first day.]
Rachel: (running in from her bedroom, wearing only a towel)
Okay. Hey. Umm. Does everybody hate these shoes?
Chandler: Oh yeah, but don't worry. I don't think
anybody's gonna focus on that as long as your wearing that towel
dress.
Rachel: (to Ross) Tell him.
Ross: (to Chandler) It's her first day at this new job.
Your not supposed to start with her!
Chandler: All right, I suppose I can wait a day. Hey, what
are you doing Friday?
Ross: Why?
Chandler: I need you to come to this bachelor party for my
weird cousin Albert, y'know he's the botanist.
Ross: Oh God. Y'know, botanists are such geeks.
Chandler: Yeah. Is that a dinosaur tie?
Ross: Hmm? Oh, yeah. (he makes a growling sound)
Phoebe: (entering, with about 20 purses hanging around her
neck) Morning. Rach, I'm here with the purses!
Chandler: (to Phoebe) It must take you forever to find
your keys.
Rachel: (running into the living room) Thank you, thank
you, thank you, Pheebs.
Phoebe: Your welcome, oh please not the one with the
turtles.
Rachel: No, no, no, no turtles scare me. I don't need that
today.
Ross: Honey, just relax, it's gonna be fine. Hey, umm,.
why don't I come down there and I'll take you out to lunch?
Rachel: Oh honey, thank you, but Mark's taking me out.
Ross: Mark is that ah, the same Mark that helped you get
the job?
Rachel: Yeah, it's kinda like a 'good luck on your first
day' sort of thing. (to Phoebe) Is this actually a lunchbox?
Phoebe: Umm, no, it's a purse. And there's a thermos in it.
Rachel: Oh.
Chandler: (to Ross) Hey, so can you make it on Friday?
Ross: What? Oh yeah, yeah I think so. Why am I invited to
this again?
Chandler: Well apparently Albert has no friends. He's very
excited about the bachelor party though. I think actually the
only reason he's getting married is so he can see a stripper.
Phoebe: A stripper at a bachelor party, that is so clichй.
Why don't you get a magician?!
Chandler: Well, if the magician can open my beer with his
but cheeks, then all right.
OPENING CREDITS
[Scene: Chandler and Joey's, Ross and Chandler are entering, Joey
is on the phone.]
Ross: She's having lunch with him. She's having lunch with
him. And you should of seen the hug she gave him when she got the
job. And, and, and, (to Joey) he's really good looking. (Joey
gives an enthusiastic thumbs up) What am I gonna do?
Chandler: Don't do anything. Keep it inside. Learn how to
hide your feelings! (pause) Don't cry outloud.
Joey: (hanging up the phone) Yes! Guess who's in an
audition for a Broadway musical?
Chandler: I want to say you but, that seems like such an
easy answer.
Joey: It is me! It's a musical version of Tale of Two
Cities. So I think I'm gonna sing New York, New York,
and ah, oh I left My Heart in San Francisco.
Ross: Ah Joey, I don't think you get to pick the cities.
Joey: What?
Ross: Mr. Dickens gets to pick 'em.
Joey: Who?
Chandler: I'll get you the Cliff Notes.
Joey: The what?
Chandler: The abridgment.
Joey: Oh, okay. (to Ross) The what?
[Scene: Rachel's office, Mark is training Rachel.]
Mark: ...and the style number, and the invoice number, and
the shipping date. Good. Any questions so far?
Rachel: Yeah. What kind of discount do we get?
Mark: Twenty percent.
Rachel: Oh!! I love this job! (her phone rings) Wow! My
first call.
Mark: Here, let me. (answers phone) Rachel Green's line,
how may I help you?
Ross: (on phone) Hi, is Rachel there?
Mark: And who may I say is calling?
Ross: This is Ross?
Mark: Ross of.....
Ross: Of Ross and Rachel.
Mark: Oh hi. It's, it's Mark.
Ross: Oh hey, hey Mark.
Mark: Hey, hold on a second.
Ross: Okay.
Rachel: Hi honey!
Ross: Hi! What's ah, what's Mark doing answering your
phone?
Rachel: Oh, he's just goofing around.
Ross: Ohhhhh yeah, that's, that's funny. Why ah, why isn't
he goofing around in his own office?
Rachel: Oh honey, this is his office too. I told you we're
Joanna's two assistants.
Ross: Why does Joanna need two assistants, how, how lazy
is she?
Rachel: Oh! Oh my God! What did I just do?
Ross: What?
Rachel: I think I just shipped 3,000 bras to personnel. Oh
honey, I gotta go. (to Mark) Mark, I need you!
Ross: Okay, bye-bye. (starts slamming the receiver down in
anger.)
Rachel: Ow! Ross!!
Ross: Oh, oh, I'm, I'm, I'm sorry sweetie, I was just
trying to ah, I'm dialing another number. (hangs up)
[Scene: The Moondance diner, Monica is cleaning up with one of
the waiters, with her back turned to him she removes her fake
breasts and hides them under her wig.]
Jeannine: (to Monica) All right, I just got changed in
thirty seconds so you can be alone with him. You'd better go for
it.
Monica: Please, I'm not going for anything.
Jeannine: Well, if you don't, I will.
Monica: Would you please go?
Jeannine: Night Mon. Night Julio.
Julio: (to Jeannine) Adios.
(Monica starts wiping down the stools, as Julio follows along
behind her replacing the napkin holders.)
Monica: Look Julio, someone left their book here.
Julio: Ah actually, that is mine.
Monica: Oh yeah, what are you reading?
Julio: Flowers of Evil, by Beaudalire. Have you read it?
Monica: Have I read it? (pause) No, are you enjoying it?
Julio: I thought I would, but the translation's no good.
Monica: Your a poet and don't know it. (she turns away and
makes a face like 'I can't believe I just said that.')
Julio: Actually I ah, I am a poet.
Monica: Oh, then you do know it. (pause) So um what kind
of things do you write about?
Julio: Things that move me. The, the shadow of a tree, a
child laughing, or this lip. (points to her lip)
Monica: Mine? (points to her lower lip) Right here?
Julio: I can write an epic poem about this lip. (grabs her
lower lip)
Monica: How would that go? (they kiss) Well, it didn't
rhyme, but I liked it.
[Scene: Joey's audition.]
Joey: (singing) You've got to pick a pocket or two.
Boyyyyssss, (picks a handkerchief from the pianist's pocket)
you've got to pick a pocket or two..........
Director: Lovely, just lovely.
Joey: Really? Thanks.
Director: Listen Joey, we definitely want to see you for
the callback on Saturday.
Joey: Excellent, I'll be there.
Director: Okay, and listen don't forget to bring your jazz
shoes for the dance audition.
Joey: Ahhh! My ah, my agent said it wasn't a
dancing part.
Director: Joey, all the roles got to dance a little. But
believe me with your dance background it'll be a piece of cake.
[Scene: Chandler and Joey's, Chandler is reading Joey's resume.]
Chandler: ....three years of modern dance with Twila Tharp!
Five years with the American Ballet Theater?!
Joey: Hey, everybody lies on their resume, okay. I wasn't
one of the Zoom Kids either.
Phoebe: Well, can you dance at all?
Joey: Yeah, I can dance, y'know. (starts to dance really,
really, really badly)
Chandler: Oh no, no, no, no.
Phoebe: (covering her mouth in shock) What, what is that?
Joey: Sure, it looks stupid now, there's no music playing.
(phone rings)
Chandler: All right, I have to get that, but no-no. (answering
phone) Hello? (listens) (happily) Hi! Yeah listen, I'm, I'm in
need of a stripper and I was told that you do that. (listens) Let
me ask you this, what, what do you do for the extra hundred? (listens)
So would I, would I have to provide the grapes?
Monica: (entering) Hi!
Phoebe: Oh, how was last night with Julio, senorita?
Monica: It was soo amazing, he is so sexy, and smart,
which makes him even sexier. Oh gosh, I gotta so you this. Last
night, we were fooling around and he stops to write a poem.
Joey: Get out! I couldn't stop if a meteor hit me.
Chandler: Okay, we have our stripper. A miss Crystal
Chandelier.
Joey: Well sure, you name a kid that, what do you expect
them to grow up to be?
Monica: Anyway um, when he left he forgot to take the poem
with him. Now, I am like totally dense about poetry, but I think
it's pretty good all right. Check it out. (hands them the poem)
Joey: (reading) The Empty Vase. Translucent beauty...
Chandler: To yourself. (finishing) Hey-hey-hey, y'know
what that's pretty good.
Monica: Oh good, I think so too. Pheebs?
Phoebe: Oh yeah.
Monica: Oh, I'm so glad you guys like it. Yay! All right I
gotta go to work. (tries to take the poem)
Joey: Whoa, I'm not done.
Monica: All right, just give it back to me when your done.
See you guys.
Chandler: Bye-bye.
(Monica leaves)
Phoebe: Oh my God, oh my God! Poor Monica!
Chandler: What, what, what?!
Phoebe: What?! He was with her when he wrote this poem.
Look, (reading) 'My vessel so empty with nothing inside. Now that
I've touched you, you seem emptier still.' He thinks Monica is
empty, she is the empty vase!
Chandler: You really think that is what he meant?
Phoebe: Oh, totally. Oh, God, oh, she seemed so happy too.
Joey: Done.
[Scene: Rachel's office, her desk is covered with stuff Ross has
sent her.]
Mark: (reaching through the flowers) Do you have the, the
Ralph Lauren file?
Rachel: Oh, yeah, sure, it's umm... (she picks up this bug
and it starts to play the theme from Love Story)
Mark: Wh-what's that?
Ross: It's from Ross, it's a love bug.
Mark: Wow! Somebody wants people to know you have a
boyfriend.
Rachel: Oh no, no-no-no, that's not, not, not, what he is
doing. He's just, he's just really romantic.
Man: (to Rachel) Ah, excuse me, are you Rachel Green?
Rachel: Yes.
Man: (being joined by the rest of the barbershop quartet)
One, two, three...
Quartet: (singing) Congratulations on your first week at
your brand new job! It won't be long before your the boss.
The Bass Barber: Omm-pah, omm-pah, omm-pah.
Quartet: (singing) And you know who will be there to
support... you?! Your one and only boyfriend...
The Bass Barber: It's nice to have a boyfriend.
Quartet: Your loyal loving boyfriend Ross..... Ross!
COMMERCIAL BREAK
[Scene: Monica and Rachel's, Ross and Rachel are entering the
living room from her bedroom.]
Ross: I'm hurt! I'm actually hurt, that you would think
that I would send you any of those things out of any thing other
than love. Hurt! Hurt!
Rachel: All right Ross!! I get it!!
Ross: I mean my God...
Rachel: You're hurt!
Ross: ...can't, can't a guy send a barbershop quartet to
his girlfriend's office anymorrrrre!!
Rachel: Oh, please, Ross it was so obvious! It was like
you were marking your territory. I mean you might have well have
just come in and peed all around my desk!
Ross: I would never do that!
Rachel: Look, I know what's going on here, okay, Mark
explained it all to me. He said this is what you guys do.
Ross: Yeah well if, if, if Mark said that, than Mark's an
idiot.
[Scene: Central Perk, Chandler, Ross, Joey are there.]
Joey: Mark's a genius!
Ross: Why?! How?! How is he a genius?
Chandler: Look, don't you see what's happening here.
Instead of hitting on her right away, he's becoming her confidant.
Now he's gonna be the guy she goes too to complain about you.
Ross: What am I going to do?
Chandler: Well, why don't you send her a musical bug, op,
no you already did that. All right look, you're going to have to
go there yourself now, okay, make a few surprise visits.
Ross: I don't know you guys.
Chandler: All right fine, don't do anything, just sit here
and talk to us, meanwhile she is talking to him about you. And
he's being Mr. Joe Sensitive, and she starts thinking 'Maybe this
is the guy for me, because he understands me.'
Joey: And before you know it, she's with him. And you'll
be all, 'Ohh, man!' And he'll be all, 'Yes!' And us, we'll be
like, 'Wh-whoa, dude.' And pretty soon you'll be like, (sadly)
'Hhiii,' and, and, and, 'I can't go, Rachel and Mark might be
there.' And we'll be like, 'Man get over it, it's been four years!!'
Chandler: He paints quite a picture doesn't he?
[Scene: Rachel's office.]
Woman: (walking up to Mark) Here's the Shelly Siegal stuff
from December.
Mark: (turning around) And wait, I've got something for
you. (kisses her)
Woman: Mark!!
Mark: It's okay, Rachel knows.
Woman: Yeah, but even soo.
(Ross appears in the hallway just outside of Rachel's office.)
Mark: I can't help it, I'm just, I'm just crazy about you.
Rachel: Ohhh! That is soo sweet! (gets up to get herself a
cup of coffee)
(Ross is eavesdropping in the hallway.)
Mark: Okay, okay look, I know I'm being Mr. Inappropriate
today, but it's just so tough, I mean see you walking around and
I just wanna touch you and hold you, come on no one's around,
just, just kiss me.
(They start to kiss, and Ross rushes into the office to break it
up.)
Ross: All right that's, that's it!! Get off her!
Mark: What is going on?
Ross: What's going on?! (throws the love bug at him)
That's what's going on!!
Rachel: (now standing behind Ross) Ross!
(Ross finally looks at the woman kissing Mark.)
Ross: I have been down in your store for twenty minutes
trying to get a tie! What do I have to do to get some service?! (turns
to Rachel) Hi Rach. (He's puts his hand on her shoulder and she
knocks it away.)
[Scene: Joey's dance audition, Joey is warming up.]
Director: Ah Joey. Joey Tribbiani. Listen Joey, I got a
problem, I just got a call from my dance captain, he's having a
relationship crisis and can't get out of Long Island.
Joey: So, does that mean the audition is off?
Director: Listen Joey, seeing as you've got the most
experience, I want you to take these dancers and show them the
combination.
Joey: What?!
Director: Aw come on Joey, it's easy. Y'know, it's hand,
hand, head, head, (very quickly, Joey watches stunned) up, out a
beret, out a beret, big turn here, grand dechant, desont, desont,
slide back, step, step, step, and jazz hands!
Joey: It's ah, step-ity, step and jazz hands.
Director: Have fun.
Joey: Bye. (does the jazz hands)
[Scene: Monica and Rachel's, Monica is tying a ribbon to a vase.]
Phoebe: (entering) Hey!
Monica: Hey.
Phoebe: What are you wrapping?
Monica: Oh-ho, look what I got Julio.
Phoebe: Yeah, it's a vase.
Monica: Yeah, just like the one in the poem.
Phoebe: Well not exactly like the one in the poem.
Monica: What do you mean?
Phoebe: Remember how you said you were really dense about
poetry? Oh. (hugs her)
[Scene: The Moondance Diner.]
Monica: (to Julio) So! I'm just an empty vase, huh?
Julio: What?
Monica: Y'know, so I don't read as many important books as
you do, and I don't write trick poems that seem to be about one
thing but are actually about something else. And y'know what, I
get excited about stupid stuff, like when I my People
magazine comes on Saturday, and the new Hold Everything
catalog. Y'know but that does not mean that I'm empty, I care
about things. I care about my friends and family. You have no
right to make that kind of judgment about me.
Julio: Whoa, whoa, whoa.
Monica: You don't even know me...
Julio: Whoa, whoa, whoa, the poem is not about you.
Monica: What?
Julio: The Empty Vase is not about you. My baby, you make
me so sad that you would think this.
Monica: I'm sorry, my friend Phoebe...
Julio: No, it's about all women. Well, all American women.
You feel better now?
Monica: (sarcastically) Oh yeah.
[Scene: Joey's audition, the director has returned and wants to
see the combination.]
Director: All right, let's do it!
(The group does the same horrible dance that Joey did earlier in
the show, except they're all out of sync and they do the jazz
hands at the end.)
Director: No, no, no. What was that?
Joey: I know, it was the best I could get out of them.
Director: Well, people!
Joey: People, people, people.
Director: Let's try it again, and this time let's watch
everybody watch Joey. (to Joey) Show 'em how it's done. (to the
pianist) Count it off.
(The pianist starts to play, and Joey readies himself, and then
runs out of the audition.)
[Scene: Central Perk, Chandler and Rachel are there.]
Rachel: So ah, did you have fun at the bachelor party last
night?
Chandler: Oh yeah, yeah! Look what I got, look what I got.
(holds up a pen) See, she's fully dressed, right?
Rachel: Right.
Chandler: And then you click it and, uh-oh, she's naked.
And then, and then you click it again and she's dressed. She's a
business woman, she's walking down the street, she's window
shopping, and (clicks pen) whoa-whoa-whoa, sh-she's naked! (Rachel
just stares at him.)
Ross: (entering) Hi.
Rachel: Hello.
Chandler: Y'know what, I'm, I'm gonna spend some alone
time with the pen.
Ross: (sits down next to her) I'm sorry, I was an idiot.
Rachel: A big idiot.
Ross: A big idiot. Just you have to realize is, this whole
Mark thing is kinda hard for me.
(Gunther is eavesdropping in the background.)
Rachel: Honey, why is it hard, I mean we've been together
for almost a year now?
Ross: Well, I was with Carol for like eight years and I
lost her. And now if it's possible I think I love you even more.
So, it's hard for me to believe that I'm not gonna, well that
someone else is not going to take you away.
Gunther: Let it be me! Let it be me!
Rachel: Honey, that's very sweet, it just seems to me
though, that if two people love each other and trust each other,
like we do, there's no reason to be jealous. (she kisses him)
Ross: I gotta get going. Bye Chandler.
Chandler: Oh, okay Ross. Listen, this pen is kinda getting
boring, so can you pick me up some porn?
Rachel: Where ya going?
Ross: Oh, I've got to go pick up Ben, we've got a play
date this afternoon.
Rachel: Ohh, with who?
Ross: Oh, just this woman that I met last night at the
party.
Rachel: There was a woman at the... (realizes) The
stripper?!
Ross: Yeah.
Rachel: You have a play date with a stripper?!
Chandler: Man, I gotta get a kid. (looks at the pen and
starts laughing)
Ross: Ah, yeah, yeah. Umm, we started talking after she
y'know, did her thing. And it turns out she's got a boy about
Ben's age, so we're taking them to a gym-boree class. Why, is
that okay?
Rachel: Sure, is she married?
Ross: Ahh, no.
Rachel: Oh. (starts shaking the sugar down in a packet
really hard.)
Ross: Are you jealous?
Rachel: Noo, I y'know I don't see why she has to play with
you, that's all. I mean doesn't she have any y'know other
stripper moms friends of her own?
Ross: You are totally jealous.
Rachel: I'm not jealous. All right this is about, umm,
people feeling certain things y'know about strippers. And y'know,
and um, I...
Ross: Honey, I love you too.
Rachel: Ugh. Wait, wait, wait.
Ross: What?
(She runs over and gives him a very passionate kiss.)
Ross: Huh.
Rachel: (to Chandler) Well, there's a kiss that he won't
forget for a couple of hours, y'know.
Chandler: Yeah. Either that, or you just turned him on and
sent him off to a stripper.
CLOSING CREDITS
[Scene: The Moondance Diner.]
Man: (entering) Is there a Julio here?
Julio: (to him) I am Julio.
(The rest of barbershop quartet enters, and joins him.)
Man: (singing) Mister Pretensous, (Monica stands up in the
background) you think there's no one finer, well but your poems
are unpublished, and you work in a diner.
Quartet: Your no God's gift to women, that's all in your
headdddd. You are just a buttmunch.
Bass Singer: No one likes a buttmunch.
Quartet: And your also bad in bedd-edd-edd!.
(Monica waves at Julio.)